Mithila cultural centre: a space for preservation and celebration/

Abstract

of intangible cultural heritage in the Mithila region of northern Bihar. Known for its vivid traditions like Madhubani painting, Maithili music and dance, oral storytelling, and seasonal festivals, Mithila holds a unique identity. However, due to increasing urbanization, migration, and lack of institutional support, these traditions are slowly fading from everyday life. This thesis is based on the belief that architecture can actively preserve and celebrate such heritage, not just through static representation, but by creating a living, participatory environment. My decision to take up this topic is rooted in both emotional closeness and an urgency to act. Having grown up with a deep connection to the region, I have seen its traditions gradually disappear, especially among younger generations. Today, there are hardly any accessible spaces where people can meaningfully engage with Mithila’s culture. This project aims to fill that gap by creating a space that brings together crafts, performance, learning, and celebration, all within an architectural setting that feels both rooted and relevant. The site, located in Saurath near Madhubani, directly faces the Mithila Chitrakala Sansthan, a cultural institution that enriches the context of the project. Drawing from the vernacular language of Mithila, the design uses courtyards, natural materials, shaded transitions, and hand-painted detailing to recreate a sense of familiarity and belonging. The layout supports exhibitions, workshops, community gatherings, and festivals throughout the year. The built form reflects the spirit of a traditional Mithila village. It avoids modern stylistic impositions and instead embraces local construction techniques, traditional aesthetics, and materials that resonate with the surroundings. The centre is designed to blend into the existing village fabric, becoming part of it rather than standing apart. Water is used both symbolically and functionally. Ponds, ghats, and wells have long played central roles in Mithila’s rituals and daily life. In this project, they return as reflective ponds, stepped ghats for events like Chhath, and narrow water channels that guide movement while cooling the environment. These elements are supported by sustainable strategies like rainwater harvesting and native landscaping. In essence, the Mithila Cultural Centre is envisioned as a living cultural space that reconnects people with their roots and carries Mithila’s heritage forward through experience, memory, and community. Keywords: Mithila Cultural Centre, Intangible Cultural Heritage, Vernacular Architecture, Community Engagement, Madhubani Painting, Traditional Aesthetics, Sustainable Design