Abstract:
The traces of invasion and influence of three colonial powers Portuguese, Dutch and British are still seen in the streets and buildings of Fort Kochi and Mattancherry. Adding to that, the trading culture which attracted both foreign and Indian ethnic communities to settle there also provide a new hybrid meaning to the city. The essence of all these are still seen in the street layout, architectural features, religious and institutional buildings etc. of this twin towns.
Later in 21st century Fort Kochi and Mattancherry started gaining attention as hub culture and traditions which attracts both local and international tourists to this place. This scenario made major changes in the built fabric and living conditions of Fort Kochi. The history which loss its importance in 19th century regained its legacy because of the growing demand of tourism activities. Many heritage structures which were in dilapidated and decaying conditions were reused and renovated to cafes, heritage hotels and art galleries. The last decade witnessed Fort Kochi getting a new identity as a hub for art. India’s largest contemporary art exhibition, Kochi Muziris Biennale which is conducted in Fort Kochi is the main reason for this change.
But all these recognitions and developments due to tourism and Biennale events were only benefitted by a group of community who lives in Fort Kochi area. Mattancherry, where more than 12 ethnic communities are staying, still lacks qualitative everyday life while Fort Kochi is already an established tourism hotspot. This disparity is seen from the built fabric itself.
This thesis looks into providing a new experience to the city as a biennale city/tourist city connecting with the everyday life of people by creating scenarios for seeing the city and considering that the city should be experienced and should grow as a whole. This could be achieved by creating a seamless connectivity between tourism, events and everyday urbanism through urban design interventions.
