Abstract:
Uttrakhand is a northern state, covered by Himalayas. The entire state is divided into 13 districts and two regions Kumaon and Garwal. The whole region comprises tribal groups, residing here from generations. The state is home for mainly five tribes which are Jaunsari tribe, Tharu Tribe, Buksa Tribe, Bhotiya tribe and Raji Tribe. These tribal groups reside in vernacular houses, use local material and construction techniques and arrange spaces according to their need. The craftsmanship of the state is represented by these ethnic groups, as they practice indigenous activities which have now taken a form of art and craft.
Art and craft of the tribal community reflects the life of its user. It is the presentation of their habitat. All five tribes that are discussed here are very skilled and adapted to the environment very well. All the activities they do to fulfil their daily needs are sustainable in nature. They acquire most of the raw material from nature itself, from plants and animals mainly. Invasion of the foreign materials has been also accepted wisely. They use to perform various craft related activities to fulfil their need for utensils and for recreational purposes. But due to various technological advancements and centred human comfort with economical mind-sets have reduced the engagement of these tribal people with their indigenous activities they used to pursue. The gradual decline in quality of art and culture can be seen clearly. Deterioration in the culture is occurring in these tribes slowly. These tribes can be taken under one roof so that the intermixing of culture could take place and they could learn from each other. This Thesis aim to provide a platform for the craftsmen’s to work and experiment with their craft by putting several artisans of varied craft under one roof. It will also act as a stage to showcase the old age tradition and culture of the tribal through various art galleries.
Key words: Tribals, Artisan, Art and craft, Vernacular architecture, craftsmanship
